PP. 119, 120 et 121. Sésame and Lilies, I. §§ 41 et 42. — PP. 121 et 122. Ibid., II. § 69. — P. 124. Val d’Arno, lecture I. — P. 126. Sésame and Lilies, ch. i, § 36. — PP. 128 et 129. The seven Lamps, ch. vi. — PP. 130 et 131. The Queen of Ihe Air, § 98.
Page 135. Modern Painters, part. VII, ch. ii et iii, et part. IV, ch. ix, § 12. — PP. 135, 136 et 137. The Queen of the Air, préface. — PP. 139 et 140. Modern Painters, part. VI, ch. x, §§ 23 et 24. — PP. 141 et 142. The Relation between Michael Angelo and Tintoret, fin. — PP. 142 et 143. Fors Clavigera, vol. I, lettre viii. - P. 144. The Crown of Wild Olive, Traffic, § 75. — PP. 146 et 147. Deucalion, § 46. — PP. 148 et 149. Sésame and Lilies, §§ 94 et 95. — PP. 152 et 153. Letter to young Girls, extrait de Fors Clavigera, lettre lxv.
Page 159. Fors Clavigera, vol. VI, lettre lxxii.
Pages 170 et 171. Arrows, II. Épilogue.
Page 174. Unto this Last. Ad Valorem. — P. 174. Modern Painters, part. IV, ch. xvii, § 43. — P. 175. Munera pulveris, ch. i, § 16. — PP. 175 et 176. Modern Painters, part. V, ch. iii, § 23. — P. 176. Frondes Agrestes, § 43, et The Queen of the Air, ch. ii, § 60. — P. 177. Ibid., § 68. — PP. 177, 178, 179. Eagle’s Nest, §§ 107, 109, 110. — PP. 179, 180. Modern Painters, part. V, ch. xx, § 49. — PP. 180. Ibid., part. III, ch. iv, § 9. — P. 181. Ibid., part. V, ch. xx, § 9. — P. 182. Fors Clavigera, II, lettre xxi. - P. 184. Stones of Venice, 111, ch. ii, § 8,
Page 185. Stones of Venice, III, ch. ii, § 11. — P. 186. Modern Painters, part. IV, ch. xvii, § 42, et Elements of Drawing,
